—Please share what impressions you had from the onsite tour.
I already had an interest in the designability of Arita ware, but at The Kyushu Ceramic Museum I learned about its historical background and changes in its design and associations. I was able to gain a feel for the depth and essence of Arita ware. In addition, when I visited Fukusen-gama, which is the pottery kiln I’m collaborating with, I was surprised at the production procedure, which is completely divided into several processes carried out by multiple specialists. Having toured the kiln, I realize the key to the exhibit will be the degree to which the delicate lines that characterize my artwork can be recreated.
—What expectations do you have about this collaboration to produce Arita ware?
I expect this project will provide a very meaningful opportunity to break new boundaries for both myself as the artist and for pottery through compromise with one another. I want to convey unique, beautiful botanical illustrations that are distinct from Arita ware produced so far. Everything about this project is a first for me, including collaborating to create a traditional craft, working with the three-dimensional medium of porcelain, and exhibiting in an airport. I’m looking forward to the modern botanical illustrations I’ve designed being painted onto historical Arita ware and am filled with anticipation.
